If necessary, the rules to delete such things would be in place, if the CC companies complain. With the new rules they can get rid of anything that WOULD HAVE DEFINITELY caused trouble and treat the water on normal l♥♥i/beast/guro until hopefully the fuzz dies down. It’s likely that no one wants to actually ban extreme content there, they must be aware of the potential damage.
#Pixiv bookmark tagger how to
They then spend the next two weeks figuring out what to do and how to word it. I also think this whole thing was at first a pre-emptive against a possible credit card ban in the wake of the whole MindGeek/Pornhub thing from earlier that year and after they fully realized that deep fakes and AI was used to hide CP. If normal l♥♥i and so on was actually banned outright, they would have likely just said so here. webm already.īasically it has a decent enough framework, everything else sucks complete dick though.Ī best-case scenario (and I prefer to be pessimistic, safe as much as you can): just like artists they want to see how far they can go. That and they really need to f♥♥k off with their “ugoira” s♥♥t that’s basically a very shitty GIF/APNG “player”, just move to. You also have people who draw yaoi or yuri content that don’t tag that either, which makes filtering the former really annoying.Īny other fetishy stuff you might have, like blowjobs, handjobs, titjobs, footjobs, whatever really, you better fucking pray that something you saw days/weeks/months ago is tagged properly or you’re never finding it again if you forgot to bookmark it 🙂 Half the time you will see porn not even properly tagged R-18, and then the other half is retards tagging some teasing pictures they upload that don’t even show nipples as R-18 just because they mistakenly think what they drew is erotic enough to be considered that, like a woman’s bare ass is enough for them to think it’s 18+ content. We argue that the conflicts and negotiations between Chaos Lounge and pixiv users exemplify fundamental contradiction between gift and commercial economies.Navigating itself isn’t that poorly implemented, it’s the fact that the site is insanely bloated and that there is absolutely zero enforcement for tagging content besides R-18G stuff like scat, guro, etc. Finally, we look at pixiv from politico-economic perspectives and illustrate the activity of Chaos Lounge, a young visual artist group in Japan, and pixiv users’ movement against the.
By introducing the concept of gift economy, we put users’ participation on pixiv in the history of dōjin culture.
We then investigate pixiv from historical perspectives and examine dōjin-shi culture, or fanzine culture in Japan, as a pre-digital era version of cultural participation in pixiv. We argue how pixiv users express their collaborative creativity beyond the level expected by the service company. This paper starts by examining pixiv from cultural perspectives, through which the first section draws on the concept of participatory culture and views pixiv’s specific function as a resource for cultural practice. These perspectives suggest ways in which pixiv users communicate with one another to constitute its service through visual media.
This study is among the first to examine pixiv, an online platform for amateur anime and manga artists in Japan, as a key global network and to explore the platform from cultural, historical and politico-economic perspectives.
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